The Novardhok Paradox

How can Novardhok seriousness yield joy?

Rabbi Avi Shafran ,

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Avi Shafran.jpg
Arutz 7

Despite the economic downturn, I recently made a financial investment that resulted in a fantastic return. It was a CD.

No, not a bank certificate. A compact disk. It cost me $15 (including postage and handling) and featured Yiddish songs that were sung by the students and faculty of the famed Novardhok Yeshiva in pre-war Eastern Europe.

Founded at the end of the 19th century in what was then the Russian Empire, Novardhok spawned satellite
Stories about the lengths to which Novardhok students went... are legend.
branches in many other cities. After the Bolshevik Revolution, the yeshiva relocated to Poland, although not all the students made it; the Soviets shot or captured and exiled many. At the start of World War II, the yeshiva moved to Vilna and other cities in Lithuania. When the Soviets moved into Lithuania, some students fled, others were killed and a small group of Polish nationals - my dear father, may he be well, among them - were exiled to Siberia.

Some of the songs on the disk were familiar to me from a recording my father made for his children years ago. Others I heard for the first time. I was moved by the music and, especially, the lyrics.

Novardhok had a reputation for a pietistic and morose - to some, even morbid - philosophy. It is an ungenerous characterization. The yeshiva was a serious place, to be sure, and its students not only studied Talmud but placed self-criticism and personal improvement prominently on their spiritual agendas. Stories about the lengths to which Novardhok students went to embarrass or discomfort themselves in order to "break the will" and rise above human traits like anger, conceit and indulgence are legend - and many are surely exaggerations.

But while few, if any, Novardhokers may actually have requested a loaf of bread from a hardware merchant or placed raw peas in their shoes, every Novardhoker spent considerable time daily studying ethical texts, critically analyzing his personal behavior before G-d and man, and trying to press his will and actions into line with the highest ideals of Judaism.

Surprisingly, though, what resulted were not broken, depressed, neurotic souls, but joyous, determined, soaring ones.

My father, over more than fifty years as a synagogue rabbi, has had a ready smile and a reservoir of encouraging words for all; and continues in semi-retirement to offer the same to the many who value his friendship and counsel.

And I vividly remember Rabbi Yehudah Leib Nekritz, may his memory be a blessing, the religious leader of the Novardhok Siberian exiles, who in the 1950s and '60s would occasionally visit my parents' home in Baltimore. Even when I was still too little to know much about the man with the black hat, white beard and peaceful smile who was so eagerly welcomed into our house, I was mesmerized by his aura of happiness.

On one of his visits, bashful child that I was, I ran to the far end of the house and hid under a table. From my safe distance, I studied his bright, cheery countenance. To this day, five decades later, I remember suddenly bounding across the house - only a few yards, but many little-boy steps - and hurling myself onto the visitor's lap. Everyone was surprised, including me. My feet had received orders directly from my heart. Although Rabbi Nekritz had been through much in his life that was not pleasant, he radiated joy, and it was a powerful magnet.

Years later, when I learned about Novardhok and its approach to life, I thought it paradoxical that Novardhok self-criticism and relentless contemplation of life and its limited span could coexist with the smiling eyes and joie de vivre of a Rabbi Nekritz. What I came in time to realize, though, is that it wasn't a matter of co-existence, but of cause and effect.

The songs, too, display the apparent paradox. Their lyrics are about things like readiness to be persecuted for one's commitment to Torah, the brevity of human existence, the need to seize every day - every moment - we have; yet, the melodies as a rule are spirited, lively, filled with trust and hope and joy.

It might be hard to imagine a chorus like, "Now [we're] here; later, there" set to a swing beat. But somehow,
It wasn't a matter of co-existence, but of cause and effect.
strangely, it works.

I think the solution to, "How can Novardhok seriousness yield joy?" lies in contemplating a converse question: How can a society like ours, with all its opportunities for physical pleasure, avenues for escapism and creature comforts, yield the sullenness and depression that is the hallmark of so much of the contemporary world?

What occurs is that embracing distractions to avoid realities - like the fact that even if we are fortunate to become centenarians, our this-world lives are not forever; that we are here for a purpose, one we ignore at our peril; that we have responsibilities and cannot afford to waste time - yields not happiness, but the heavy gloom of meaninglessness.

And turning back to the Novardhokers, facing the realities of human existence - squarely, head-on, with open eyes - infuses people with joy, born of the immense good fortune of having been charged with a Divine mission and granted meaningful lives.